Katherine is a multidisciplinary artist interested in making visible nature’s agency to transform our relationship to non-human beings. Her work takes the form of living connected installations, augmented tapestries, printed and moving images, objects that intertwines traditional, obsolete and emerging tools - oftentimes made in collaboration with other humans and non-human beings. The starting point is often a location and its organic specimens “scanogramed” in order to create new seeds that are “planted” in various materials, exploring images’ fluidity through cycles of metamorphosis between physical and digital soils.

Katherine holds a master’s degree in fine arts from Central Saint Martins – University of the Arts London and a bachelor’s degree in interactive media from UQAM in Montreal. Her work has been exhibited at Joliette Museum (2023), Fondation Grantham pour l’art et l’environnement (2022), Patel-Brown Gallery (2022) and Phi Foundation (2019) in Canada and at the Max Ernst Museum (Cologne 2023), the Biennale de l’image tangible and Biennale NovaXX (Paris 2023 and 2021) and Arcadia Missa Gallery (London 2011) amongst others. In 2022, she was on the Sobey Art Award long list, the contemporary art awards in Canada. She’s a Patel-Brown gallery collaborator in Canada.